NOW / SOON / RECENT
Under the loosely meaningful moniker ThinAar Studio, Aaron Landsman (that’s me) plus friends and beloveds have been making work for three decades. What have we been up lately?
Summer-Fall 2025: All the Time in the World (playtests)
We have been playtesting this new piece that swirls among forms: parlor game, theatrical score, card deck, all the above. Look for us in NYC in December after a Mercury Store workshop. Here are snaps of what we’ve been up to this summer, at the Worlds in Play convening and Catch upstate at PS21.
April 2025: Night Keeper (the album)
Released on Hallow Ground Records is the album version of 2023’s Night Keeper, a studio recording of the show, created in collaboration with composer Norman Westberg and performer Jehan O. Young, engineered by the amazing Michael Hammond. We have held record release parties in town, as well as a stripped down version of the show here at home, and we can bring the piece to you (or mail you a record). Just let us know.
Spring 2023: Night Keeper (the show)
My most recent show premiered at The Chocolate Factory’s beautiful new space in March/April 2023. It can be presented in concert form or as a small-scale immersive work with projections, drawings and choreography.
Performed by Jehan O. Young and David Guzman, with live music composed and performed by Norm Westberg (juggler, knitter, and guitarist from Swans), lighting and projections by Jon DeGaetano and Grace Gilmore, choreographic scores by Hillary Clark. Supported by a Creative Capital Award, NYSCA Commission, Chocolate Factory Commission and residency support from Loghaven and Baryshnikov Arts Center.
A couple years ago I started writing when I couldn’t sleep. Though I like sleeping, I like the writing that has come out of this time. The work is performed in dim light, with viewers in groups spread around the space. Jess is doing some drawings to go with the text.
Spring 2023: Perfect City’s (IN)visible Guides
(In)Visible Guides is an art and research project created by Perfect City and residents of a Lower East Side shelter for domestic violence survivors. The project combined map-making workshops, public art installations, convenings, and publishing designed to help survivors become public advocates for better protection alternatives to policing in public space. We believe everyone benefits when our most marginalized and least visible residents have more agency in the design of our neighborhoods and cities. Our Invisible Guides Neighborhood Tour remains
I started Perfect City in 2016 as research, and it has become a 20-year project about zoning, resistance and many things in between. We are housed at Abrons Arts Center and are working to expand to other cities, including Dayton, Ohio and Anchorage, Alaska, with The National Civic League. You can join us. We have been supported by Creatives Rebuild New York’s Artist Employment Program, and funds from LMCC, Abrons Arts Center and the NEA. Our work includes mapping workshops, walking tours, advocacy, long-term engagements with shelter residents, and international collaborations with like-minded people in Amsterdam and France.
Read an article about our mapping work on Urban Omnibus! Or follow us on Instagram @perfectcitynyc / @thecatcallingproject
2022: Trouble Hunters (in-progress)
Trouble Hunters is a performance that grows out of a larger body of work called Language Reversal. When the 2016 election happened, I reached out to friends who’ve been through worse. Kulturanova had produced an earlier play of mine in Novi Sad and we’d been wanting to do something together from scratch ever since. Together we asked friends and colleagues to provide toolkits for surviving in tough times. Prior funding has come from the The Trust For Mutual Understanding and ASU Gammage.
The piece takes the form of an awkward rehearsal for an agit-prop reality show and an inquisition into misery tourism. Performed by Jelena Galovic and Uros Mladenovic, in both English and Serbian, Trouble Hunters is a series of short scenes and vignettes about people who desire connection and cope with conflict: how do you make coffee with a candle in a shelter? How do we appreciate another culture so different from our own? How do we make peace with cultures we are taught to hate?
Supported by La MaMa, ETC, The Trust for Mutual Understanding, Abrons Arts Center and Princeton University.
2021: Follow
Follow is a new music piece composed by Igor Silva, performed by Stephanie Pan and Ensemble Klang, and commissioned by Gaudeamus in The Netherlands. I was commissioned to write the libretto. What started as a simple/istic prompt about “fake news” from the commissioners became a layered, jarring investigation of truth, commitment to change, the role of labor and media in our apprehension of the world and how we run from what we might not want to know.
Follow premiered in Amsterdam in 2021, followed by tours to The Hague and beyond.
You can see a minute of it here. (coming to NYC in 2026)
Earlier Work
Empathy School/Love Story (2016)
Appointment (2009, 2015)
City Council Meeting (2012-14)
Open House (2008, 2013, 2016, 2017)
What You’ve Done (2005)
Desk (2001-02)
Wreckage (1998)
Cakewalk (1996)